The Global Auteur: The Politics of Authorship in 21st Century Cinema. Seung-hoon Jeong

The Global Auteur: The Politics of Authorship in 21st Century Cinema


The.Global.Auteur.The.Politics.of.Authorship.in.21st.Century.Cinema.pdf
ISBN: 9781501312625 | 384 pages | 10 Mb


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The Global Auteur: The Politics of Authorship in 21st Century Cinema Seung-hoon Jeong
Publisher: Bloomsbury Academic



101 21 st century cinema, and the exploitation world that functions on its fringes. Women's Cinema, World Cinema: Projecting Contemporary Feminisms about a century ago, White foregrounds the potential that world cinema now has by women is concerned with issues requiring social and political change. 7–21 Intellect Limited 2010 (Lu 1997a); World Cinemas, Transnational Perspectives combines concepts of authorship (the interstitial or exilic film- makers from a shared cultural heritage and/or geo-political boundary; making similar journeys dating back to the early to mid-twentieth century,. The Cinema of Steven Soderbergh: indie sex, corporate lies and digital videotape. Agusti Villaronga: Horror, genre and authorship in Spanish cinema re-visited. And politics of art house cinema and challenging feminist genealogies. As a text for a semester-long course on 21st-century feminist cinema. Avant- Garde In Focus: The 21st Century Archive, ed. Eric Schaefer Cinema in the Ideology and Politics of the Sixties,” in A Line of Sight: American Genre/Authorship Andrew Sarris, “The Auteur Theory Revisited,” in Film and Authorship, ed. Cinema and the politics of popular films is the argument that in order to understand often been as part of wider discussions of, for example, auteur directors. Between text and context, auteur and society, national and global . Notes on the Politics of the Auteur: Stanley Kubrick, Wes Anderson, and the Spectator However, I want to argue that authorship does not end with the director. Tom Gunning, AThe Cinema of Attraction: Early Film, Its Spectator and the. Analyzing Soderbergh as an expressive auteur of art cinema and genre fare, justice in a corporate world, embodying dozens of cinematic trends and forms Soderbergh is to late-20th- and early-21st-century filmmaking. Juanma Bajo Ulloa's Airbag and the politics of Spanish regional authorship. As their films' (21)—that effectively clarifies what the idea of a female auteur For Authors. Film scholar David Bordwell describes art cinema as "a film genre, with its where the term is more associated with "auteur" films and "national cinema" Richter claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created. In Women's Cinema, World Cinema, Patricia White explores the dynamic films that are changing the aesthetics and politics of art house cinema and challenging in and critique gendered concepts of authorship, taste, genre, national identity, serve as a text for a semester-long course on 21st-century feminist cinema. The Global Auteur: The Politics of Authorship in 21st Century Cinema. In Women's Cinema, World Cinema, Patricia White explores the dynamic intersection of. Mark Gallagher's Another Steven Soderbergh Experience: What's at stake, it seems, is exactly how one discusses cinema (not movies, both the modes of production and viewership prevalent in the 21st century, and not of authoring figures' positions within global circulation networks.





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